![]() Noah, especially-who has no redeeming features except a six-pack-both unhealthily and ironically protects Elle from the male gaze, even though he’d been a womanizer up until she developed breasts. Teen flicks usually make adults cringe-and this one is especially unwatchable if you’re not into the genre.Īlmost every scene in The Kissing Booth finds a way to be about Elle’s body or the right to make decisions about her body, and the two lead male characters stay fixated on that theme for the entire film. Molly Ringwald, who plays the mother of Lee and Noah, provides the best, most digestible acting throughout the entire film. The “OMG Girls” are the most unbearable characters to endure but are also unfortunately realistic. Upon deciding to watch the film, it’s important to understand that it’s for a teenage audience, so awkward acting, cheesy lines, and clunky scenes between teens should be expected. ![]() And thus begins a film centered around the growth spurt of a teenage girl’s breasts, in which every male motive propels the plot forward in an attempt to either protect, focus on, or attain the right to have Elle’s body. Because Lee and Elle have sworn as best friends to never date each other’s relatives, Elle and Noah keep their relationship a secret. His true motives shine through when Elle hosts a kissing booth as a school fundraiser with Lee, and she ends up kissing her secret, life-long crush Noah. Over the summer, Elle has gone through puberty and on her first day of school-when, of course, only a tiny skirt is available in her closet to wear-boys take notice, to the dismay of Lee’s older brother, Noah (Jacob Elordi) who tells every boy in school to stay away from her because he wants to “protect” her. It follows Elle Evans as she begins her junior year of high school in Los Angeles, alongside her best friend, Lee Flynn (Joel Courtney). While the movie, which stars Joey King as the pubescent Elle Evans, has all the right ingredients to be a rom-com for teens-a trio of mean-girl villains, the elusive bad boy, and the life-long best friend who seems to get in the way of true romance-its troubling treatment of the female body and unrealistic representation of high school hinders its ability to accomplish anything meaningful. The Netflix original film, based on the best-selling novel by Beth Reekles, is better described as a coming-of-age film and should be treated as such. Let’s get something straight: The Kissing Booth is not a romantic comedy.
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